This week the designers were broken into teams of two to design a red carpet look and a stage look for country music star Miranda Lambert. The designers were advised to celebrate Miranda's curves and to make sure that their designs were chic, young, fresh, and easy.
My absolute favorite look was the red carpet look from Benjamin, and I was sorely disappointed that he didn't win. The fit of the dress and the craftsmanship were impeccable--I barely have the words to do the dress justice. The foundation, which you don't even see, is really what makes the dress perfection and is a testament to his craft. The gown was elegant and classic, but at the same time fresh with just enough details to make the look pop. Plus, the color, amazing. Good on ya, Benjamin, for finally getting it together. Now lets hope he can stay together. (This picture does not do the dress justice.)
And his teammate, Amanda, also got it together this week after being lambasted by her teammates. Granted, this challenge was 100% in her wheelhouse, but at least now we know she is what she says she is. Some designers claim to excel in an area, then when they get the opportunity to excel, they bomb. Amanda's dress was great for stage with all the movement of the fringe. However, a slightly lighter color or maybe a little crystal on the ends of some of the fringe, would have made it stand out even more. (I'm not a fan of sparkle, but it makes a huge difference on stage. Like, for real.)
Team Richard and Stanley were the winning team, with Richard coming out on top as the winner with his take on fringe. Richard's dress will look amazing on stage, and that dude works well under pressure, but I was still slightly disappointed with his win. I can't even tell you exactly why. Maybe it's because he kept saying "It is everything" about his design.
Stanley's dress was more of a great idea then a great design. His hammered paillette belt was beautiful in shape and placement, but for the rest of the dress it was obvious that he didn't think enough about who he was designing for, nor was his craftsmanship of the bodice at his usual level. The main fabric was also a little lack luster and doesn't look expensive.
I don't even really want to talk about the bottom designs. I mean, first of all, both Daniel and Michelle put denim in their red carpet looks. DENIM. I don't care what world you are from, there is a one in a billion chance that a designer could even come close to making denim work on a formal red carpet. And I am emboldened to say that no one in the history of ever will make a long denim skirt chic, not even in a casual look. They are always, always a bad idea. Then Michelle put that finge necklace over her look that covered up any work she did on the vest. I actually didn't think the necklace was terrible per se, but it certainly was terrible with that outfit. I really like both Michelle and Daniel, so their designs were especially disappointing. Zac may have had it right when he said Daniel "might be amazing, but he might not be cool."
Samantha was extremely lucky in her immunity. Her look was boring and her construction was barely passable. So that meant that poor, sad Matt went home. I felt really sorry for him, because it's hard to get out from under the weight of self-doubt, especially when everyone around you is moving forward. But designers cannot stay based on their emotional state.
Lastly, special dishonerable mentions to Kate and Patricia. I don't think Kate's idea was the worst, but the color and fabrication mix may have been the worst. The dress fit well and was in good proportion, but the red leather with a different red chiffon looked classless and like a "sexy" 90s vampire. The model just needed black lipstick.
There was nothing redeemable about Patricia's look. The underdress fabric was horrific, and no amount of "gun belt finge" will change that. The only reason she wasn't in the bottom was that Layana's scores pulled them through. I'm ready for Patricia to go home now.
Showing posts with label Project Runway. Show all posts
Showing posts with label Project Runway. Show all posts
28 February 2013
23 January 2013
Project Runway All Stars: Go Big or Go Home
For the finale the designers had to make a mini collection. They picked their own themes, and they picked the number of pieces they'd put in each collection, which is a frist. Usually the number of full looks is strictly dictated, but no quandary came up about too few or too many looks or pieces.
The designers also got a little help from "out" contestants. I only mention this because I wanted to strangle Casanova. Uli picked him to help her and (at least by how it was edited) it looked like he slept on the lounge couch the entire first day. I'm sure he helped somewhat, but come ON. If you want to stay on vacation, stand up and say "no" like poor Joshua.
Emilio: Urban Plantation
It was easy to pick my least favorite collection. Emilio almost completely missed the mark for me. I understood his concept, but there's almost nothing I liked in his interpretation. First of all his main fabric choice of eyelet felt too 90s and too little girl. My impression was that he was looking at women of color from the past as heroes, and Easter eyelet (even in black) doesn't quite cover it for me. While heroes can come in all sorts of packaging, there are archetypes and symbols that probably shouldn't be ignored when you're trying to get your point across quickly. Also the graffiti fabric was simply an ugly, muddled pattern.
His first dress was such a snoozer in design, and it was so ill fitting that I cringed.
I did, surprisingly, like the idea of his mini bustiers over a shirt. It was kind of neat how the top and skirt evoked dress even though the shirt broke them up the overall silhouette. Unfortunately the proportions were off between the bustier and the volume in the shirts. In fact he had a lot of volume that I didn't understand, but I've never been a fan of voluminous tops and jackets.
His best piece was the red jumpsuit. It had the balance of strength and femininity that I think he was going for. And I think it would look even better on a not so teeny weeny model.
Uli: Winter Wonderland
I must say that Uli's collection was spectacular. I didn't love every piece, but everything was cohesive and certainly contributed to the whole. When I saw her collection walk, I thought for sure she was going to win. Her designs, fabrics, stylings, and the models walking slowly down the runway equally evoked excitement and wonder. It was both dreamlike and slightly menacing. But even though I loved the collection, I found much it to be more artistic than wearable, which is perfectly fine.
From the first dress I was hooked. It looks like snow-topped and soft apsen bark.
Don't ask me why I live these metallic cigarette pants, I just do.
It's funny how I should be so tired of Uli choosing white and/or feathers, but I'm not. I'm especially intrigued by the little gold number with feathers on one shoulder, although I don't think it was the right fit for the model.
Anthony Ryan: The Thin Line (or Dark vs. Light)
In the end, like the judges, I had to pick AR as my favorite, and it's not only because I've been rooting for him (and overly attached to him) all season. I liked all but one of his pieces to some degree, but that's not to say all his pieces were perfect either. And I hated the shoes. But his collection was true to AR: graphically strong yet feminine and wearable. [Slight tangent: I gravitate toward women's clothes that stay feminine, but are based in menswear or that have strong masculine features. In other words I usually want all designers to keep their frills and fussiness to themselves. I just want to put clothes on, feel good in them, and not mess with them until I take them off. Continual adjusting and tucking will simply not do. So you see, AR's aesthetic and mine greatly overlap.]
His finale dress was terrible. It was the only piece that didn't quite fit with the others, and the construction and finishings look suspect. Additionally the proportions of the color blocking made the model's torso look overly long. If he had to keep it in his collection, he should have hid it in the middle and made his first dress the finale dress.
The first dress is exquisite. It evokes the careful tailoring of a man's shirt and suit, but the tailoring is suited to a feminine figure. This is my favorite piece of all the finale collections.
I'm also particularly fond of this ladder dress...if both the neckline and hemline were slightly lower.
I was scared that this yellow and black 60s piece would read bee, but it's sweet and truly perfect in silhouette. (It also let me say one of my favorite movie quotes from The Baxter: They're picking wedding colors. "Yellow...and black? Like a bumble bee?!")
Congratulations, my sweet southern cherub, winner of Project Runway All Stars!
Next up: Project Runway Teams. I'm not sure how I feel about this. It sounds like more drama than fashions, but the only thing for it is to watch and see.
The designers also got a little help from "out" contestants. I only mention this because I wanted to strangle Casanova. Uli picked him to help her and (at least by how it was edited) it looked like he slept on the lounge couch the entire first day. I'm sure he helped somewhat, but come ON. If you want to stay on vacation, stand up and say "no" like poor Joshua.
Emilio: Urban Plantation
It was easy to pick my least favorite collection. Emilio almost completely missed the mark for me. I understood his concept, but there's almost nothing I liked in his interpretation. First of all his main fabric choice of eyelet felt too 90s and too little girl. My impression was that he was looking at women of color from the past as heroes, and Easter eyelet (even in black) doesn't quite cover it for me. While heroes can come in all sorts of packaging, there are archetypes and symbols that probably shouldn't be ignored when you're trying to get your point across quickly. Also the graffiti fabric was simply an ugly, muddled pattern.
His first dress was such a snoozer in design, and it was so ill fitting that I cringed.
I did, surprisingly, like the idea of his mini bustiers over a shirt. It was kind of neat how the top and skirt evoked dress even though the shirt broke them up the overall silhouette. Unfortunately the proportions were off between the bustier and the volume in the shirts. In fact he had a lot of volume that I didn't understand, but I've never been a fan of voluminous tops and jackets.
His best piece was the red jumpsuit. It had the balance of strength and femininity that I think he was going for. And I think it would look even better on a not so teeny weeny model.
Uli: Winter Wonderland
I must say that Uli's collection was spectacular. I didn't love every piece, but everything was cohesive and certainly contributed to the whole. When I saw her collection walk, I thought for sure she was going to win. Her designs, fabrics, stylings, and the models walking slowly down the runway equally evoked excitement and wonder. It was both dreamlike and slightly menacing. But even though I loved the collection, I found much it to be more artistic than wearable, which is perfectly fine.
From the first dress I was hooked. It looks like snow-topped and soft apsen bark.
Don't ask me why I live these metallic cigarette pants, I just do.
It's funny how I should be so tired of Uli choosing white and/or feathers, but I'm not. I'm especially intrigued by the little gold number with feathers on one shoulder, although I don't think it was the right fit for the model.
Anthony Ryan: The Thin Line (or Dark vs. Light)
In the end, like the judges, I had to pick AR as my favorite, and it's not only because I've been rooting for him (and overly attached to him) all season. I liked all but one of his pieces to some degree, but that's not to say all his pieces were perfect either. And I hated the shoes. But his collection was true to AR: graphically strong yet feminine and wearable. [Slight tangent: I gravitate toward women's clothes that stay feminine, but are based in menswear or that have strong masculine features. In other words I usually want all designers to keep their frills and fussiness to themselves. I just want to put clothes on, feel good in them, and not mess with them until I take them off. Continual adjusting and tucking will simply not do. So you see, AR's aesthetic and mine greatly overlap.]
His finale dress was terrible. It was the only piece that didn't quite fit with the others, and the construction and finishings look suspect. Additionally the proportions of the color blocking made the model's torso look overly long. If he had to keep it in his collection, he should have hid it in the middle and made his first dress the finale dress.
The first dress is exquisite. It evokes the careful tailoring of a man's shirt and suit, but the tailoring is suited to a feminine figure. This is my favorite piece of all the finale collections.
I'm also particularly fond of this ladder dress...if both the neckline and hemline were slightly lower.
I was scared that this yellow and black 60s piece would read bee, but it's sweet and truly perfect in silhouette. (It also let me say one of my favorite movie quotes from The Baxter: They're picking wedding colors. "Yellow...and black? Like a bumble bee?!")
Congratulations, my sweet southern cherub, winner of Project Runway All Stars!
Next up: Project Runway Teams. I'm not sure how I feel about this. It sounds like more drama than fashions, but the only thing for it is to watch and see.
13 January 2013
Project Runway: "Couture de France"
I know that producers of reality TV are always looking for the twist, the shock, the gasps, but I thought this runway was downright mean. Sure, I gasped as Uli and Joshua were given a mini challenge, but then I was angry. Not only is it awful to give a surprise challenge after a long, arduous challenge, which came on the tails of a long arduous season, but they made the designers cut up their couture gowns. It was especially a slap in the face, because deep down everyone knew that Joshua shouldn't be in the top three. While I think he's greatly improved in attitude (and maybe a little in aesthetics) since his regular season, he still lacks construction skills, consistency, and the ability to edit.
But let's talk about the delicious part of the challenge. This week the contestants had to create a couture gown, as you know. But first they got to fly to Paris!, visit the incredible House of Valentino!, see the Valentino runway show!, and shop for couture fabrics at the world famous Janssens & Janssens! I mean, I was overjoyed, and I wasn't even going, so I can't imagine how they felt.
One of my favorite parts is when they visited the work room in Valentino and all the employees look like they're working in a laboratory with their white coats, goggles, and gloves. It was glorious.
Emilio scored the best fabric, it was absolutely gorgeous. I know the glee the judges felt as the walked up to the runway to touch the fabric. I can't describe the thrill of encountering an amazing fabric, but it was written all over their faces.
Whether his fabric choice carried him or not, he had the good sense and taste to pick this fabric in the first place, so I'm 100% behind his place in the top two. And his dress proves that less is more. If he tried to add more design elements to this, like he was originally planning, the dress would have been heavy and cumbersome. So he focused on making a well-constructed and well-proportioned yet simple garment, and it paid off.
Anthony Ryan won the challenge! I'm so glad he's in the top three. And I'm glad he pulled a second dress out of thin air, yipes! It takes a lot of courage to scrap a design under a tight deadline, but I'm sure glad he knows himself well enough to trust his instincts. At first I wasn't sure about his dress, but it really is a beauty. The design lines and panels down the sides only whispered art deco, but it gave the classic touch he needed for his modern, dark mood dress.
Uli's application of her fabric choice was thoughtful and creative. The whole dress looked like it was covered with antique gold leaf rather than gold fabric. I fully agreed with the judges' assessment about the lining and the proportions in the back, which certainly put her in the bottom after what we saw from Emilio and AR, but it was still a beautiful dress.
Oh, Joshua. I don't necessarily hate his idea, in fact I like to play with putting things together that initially seem like they would never work together (The cliché "opposites attract" does not apply only to people, right?) But his odd taste level is once again revealed in his fabric choice. That too small, bright floral looked like a Joann's special, and the white details on the black lace felt forced. Additionally the skirt silhouette read prom to me. I also wrote in my notes "traditional Spanish on acid."
In the mini challenge, Uli and Joshua had to create whole new looks in one hour while on the runway. Again Uli was clearly the better of the two. Joshua shortened his skirt and tucked the bodice of his dress in, and Uli made a whole new dress with a sweet little jacket. No contest.
Next week we'll see AR, Emilio, and Uli make their mini collections as the battle for the win. I like all three designers, so I wouldn't mind a win from any of them, but a win from AR, my sweet southern cherub, would make me the most happy. Fingers crossed, and good luck designers!
But let's talk about the delicious part of the challenge. This week the contestants had to create a couture gown, as you know. But first they got to fly to Paris!, visit the incredible House of Valentino!, see the Valentino runway show!, and shop for couture fabrics at the world famous Janssens & Janssens! I mean, I was overjoyed, and I wasn't even going, so I can't imagine how they felt.
One of my favorite parts is when they visited the work room in Valentino and all the employees look like they're working in a laboratory with their white coats, goggles, and gloves. It was glorious.
Emilio scored the best fabric, it was absolutely gorgeous. I know the glee the judges felt as the walked up to the runway to touch the fabric. I can't describe the thrill of encountering an amazing fabric, but it was written all over their faces.
Whether his fabric choice carried him or not, he had the good sense and taste to pick this fabric in the first place, so I'm 100% behind his place in the top two. And his dress proves that less is more. If he tried to add more design elements to this, like he was originally planning, the dress would have been heavy and cumbersome. So he focused on making a well-constructed and well-proportioned yet simple garment, and it paid off.
Anthony Ryan won the challenge! I'm so glad he's in the top three. And I'm glad he pulled a second dress out of thin air, yipes! It takes a lot of courage to scrap a design under a tight deadline, but I'm sure glad he knows himself well enough to trust his instincts. At first I wasn't sure about his dress, but it really is a beauty. The design lines and panels down the sides only whispered art deco, but it gave the classic touch he needed for his modern, dark mood dress.
Uli's application of her fabric choice was thoughtful and creative. The whole dress looked like it was covered with antique gold leaf rather than gold fabric. I fully agreed with the judges' assessment about the lining and the proportions in the back, which certainly put her in the bottom after what we saw from Emilio and AR, but it was still a beautiful dress.
Oh, Joshua. I don't necessarily hate his idea, in fact I like to play with putting things together that initially seem like they would never work together (The cliché "opposites attract" does not apply only to people, right?) But his odd taste level is once again revealed in his fabric choice. That too small, bright floral looked like a Joann's special, and the white details on the black lace felt forced. Additionally the skirt silhouette read prom to me. I also wrote in my notes "traditional Spanish on acid."
In the mini challenge, Uli and Joshua had to create whole new looks in one hour while on the runway. Again Uli was clearly the better of the two. Joshua shortened his skirt and tucked the bodice of his dress in, and Uli made a whole new dress with a sweet little jacket. No contest.
Next week we'll see AR, Emilio, and Uli make their mini collections as the battle for the win. I like all three designers, so I wouldn't mind a win from any of them, but a win from AR, my sweet southern cherub, would make me the most happy. Fingers crossed, and good luck designers!
07 January 2013
Project Runway: "All Stars & Stripes"
I thought this challenge was one of the most successful "average woman" challenges on Project Runway. It wasn't because all of the women on the show were military veterans, even though that was fantastic, it was because each client had a specific event that had specific design requirements. In the past the "average woman" challenges have had more vague parameters like "this is my lifestyle, make something that fits into it."
It was a bit difficult to see the root of the critiques because the judges stayed smiley and positive in front of the veterans, and rightly so. It was a bit funny to see some 180s when the judges deliberated amongst themselves.
Joshua designed for Leslie, an Army veteran. She needed a dress for black tie military events, because she wanted to be more feminine than her dress uniform allowed. I was nervous about that leopard print, but Joshua really stepped up and edited his design so hard for the first time in ever, so I do not begrudge him his win. In fact, I think this is the most edited and best challenge I've ever seen from Joshua. He might be a better designer within strict parameters, because otherwise, let's face it, he's just designing for himself if he were a woman and not actually considering what actually functions for a client. Also, puppy!
I was so scared for Anthony Ryan and his design for the Air Force veteran Donna who needed a dress for her 40th birthday party. He had really good ideas and intentions, but it's hard to know how to design for and distract from a large bust if you don't have one yourself. Sadly almost all this design features drew the eye right to the bust. First the amount of belting at the waist accentuated the bust, then AR had to resort to that weird, wide, white band to keep the dress up, and the the halter needed to angle a little more into the seam so it wouldn't gap. But his fabric choice and execution were beautiful, and I like it better in the image below than I did on the runway.
Uli, oh Uli, making another Uli dress for Marine veteran Jessica to wear to a wedding. It was executed well, but I was a bit bored with another resort style Uli dress. I was also nervous about what was or wasn't happening in the foundation garment department.
I was more than relieved that all four designers were "in," because Emilio also had me shaking in my boots with his Vegas dress for Navy veteran Lisa. I know he chose to start over to "save time," but what he ended up with was horrific, especially in execution. The color may be the design's only redeeming quality. I think that strap in the back was zigzagged on at the last minute and pulled to within an inch of it's life. Also, two bust darts would have taken care of the sad gapping at the side.
Based on the promo for next week (which I only saw half of), it sounded like next week was actually going to be the second to last challenge, so we really have two weeks of Project Runway: All Stars left? I could be wrong, please correct me if I am. Still rooting for AR to win the whole thing and hoping Joshua doesn't, but I feel like any of the designers could win at this point.
01 January 2013
Project Runway All Stars: Whatever I Want
It doesn't matter that I've missed writing about the last six Project Runway All Stars episodes, right? Right. I'll just "catch up" with the last two.
"Flapper Fashion Face Off"
I like face offs. They bring out a little more intensity in the competition, and I think it's a good reality check for both the judges and contestants when side-by-side comparison is forced upon them. Since one of the up and coming trends is once again looking back to the 20s (I've been seeing it crop up here and there ever since I first saw The Great Gatsby trailer months ago), the challenge felt immediately relevant for once. Each set of faced off designers had a different 20s theme as their inspiration and parameter.
Emilio & Joshua: Afternoon Garden Party
Anthony Ryan & Ivy: Social Soiree
Uli & Laura Kathleen: After Hours Speakeasy
Joshua: This was probably my favorite look ever from Joshua despite the fact that the color combo, at least from the front, looked a bit old and dowdy. He should have put that lime stripe in the front too and left all the other fussy details off. He's always shooting himself in the foot with "more is better."
Emilio (winner of face off): I did like Emilio's look better than Joshua's, at least idea-wise. It wasn't an iconic 20s silhouette, but I bought his slightly stretched argument about it being a 20s-30s transitional dress...and admittedly I was partially swayed because I absolutely adore Emilio's personality. The lace cutouts were lovely, and his vintage-inspired print was a great choice, but the length looks more calypso than vintage.
Ivy: Oh, Ivy. I was shocked that she didn't go home for the last challenge. And this week she was wide of the mark again, but managed to scrape by. Her fabric was truly beautiful, but how she made it look so heavy and cumbersome is beyond me. I actually think her beaded fabric mixed with that grey leather could have been something amazing, but she didn't actually design anything, she simply constructed an ill-proportioned, mediocre sheath.
Anthony Ryan (winner of face off): I mean, y'all should know by now how much I love this boy. I'm certainly glad he won the whole challenge, but I can't say his design was perfect. Certainly 20s, certainly well-constructed and thought out, but still not a wow. But no one was a wow, so the best of the okay sometimes takes the cake.
Uli (winner of face off): I had mixed feelings about Uli's dress. There was nothing offensive, but nothing eye-catching either. I didn't understand the shoulder wrap, but her dress moved beautifully and was well-made.
Laura Kathleen: I was absolutely shocked that LK was out. Aside from the fur vest, this was one of her best silhouettes. I loved the color and the amount and placement of the sparkle was just right. No, it was not perfect as is, and no, it wasn't the best of the challenge, and no, I don't love LK, but the design certainly wasn't go home material. Ivy and Joshua have the same problems over and over again and they keep turning up like bad pennies.
"There's No Business Like Sew Business"
This last week the designers were challenged to make a modern, sophisticated, and feminine dress for designer Elie Tehari. They also had to keep their garment at a retail price point of $500-700. (Which isn't really all that difficult if you ask me.)
The bottom two were Josh and Ivy, but the funny thing is that if Ivy had listened to her critique and swallowed her pride (like Emilio did), she would have been in the top three, because the top of the dress was pretty great. Instead she went home with her nowhere length dress that had slits that cheapened the whole look.
This also meant that Joshua had a very narrow escape. Everyone agreed that his color and base fabric choice was absolutely gorgeous, but he couldn't not add and add to it until he ruined it. The lace and exposed zipper quickly took to the look to "lady of the night," and we don't really need to go into the droopy boobs nonsense.
Uli's look was okay for me. The silhouette and execution were fantastic, but it looked a little too much like crochet, and I do not enjoy crocheted clothes. (Yes, Virginia, fabric choice is key.) I'm not exactly tired of her doing white dresses, but I would like to see her do something else, because I like Uli and want her to be in the top.
I like Emilio's color choices and silhouette. Of course, as the judges mentioned, mustard can be hard to wear, but it doesn't mean that it's unsalable. In fact, a lot of "high fashion" I see is hard to wear in some way, yet it still seems to sell.
But my wee lamb Anthony Ryan wins again! Which is okay by me. He's remarkable in his ability to create clean, sharp looks that don't all look the same, and this challenge was no exception. The neckline could use a little pattern adjustment, and I might play with the proportions of the color blocking a bit, but that's all a bit nitpicky.
"Flapper Fashion Face Off"
I like face offs. They bring out a little more intensity in the competition, and I think it's a good reality check for both the judges and contestants when side-by-side comparison is forced upon them. Since one of the up and coming trends is once again looking back to the 20s (I've been seeing it crop up here and there ever since I first saw The Great Gatsby trailer months ago), the challenge felt immediately relevant for once. Each set of faced off designers had a different 20s theme as their inspiration and parameter.
Emilio & Joshua: Afternoon Garden Party
Anthony Ryan & Ivy: Social Soiree
Uli & Laura Kathleen: After Hours Speakeasy
Joshua: This was probably my favorite look ever from Joshua despite the fact that the color combo, at least from the front, looked a bit old and dowdy. He should have put that lime stripe in the front too and left all the other fussy details off. He's always shooting himself in the foot with "more is better."
Emilio (winner of face off): I did like Emilio's look better than Joshua's, at least idea-wise. It wasn't an iconic 20s silhouette, but I bought his slightly stretched argument about it being a 20s-30s transitional dress...and admittedly I was partially swayed because I absolutely adore Emilio's personality. The lace cutouts were lovely, and his vintage-inspired print was a great choice, but the length looks more calypso than vintage.
Ivy: Oh, Ivy. I was shocked that she didn't go home for the last challenge. And this week she was wide of the mark again, but managed to scrape by. Her fabric was truly beautiful, but how she made it look so heavy and cumbersome is beyond me. I actually think her beaded fabric mixed with that grey leather could have been something amazing, but she didn't actually design anything, she simply constructed an ill-proportioned, mediocre sheath.
Anthony Ryan (winner of face off): I mean, y'all should know by now how much I love this boy. I'm certainly glad he won the whole challenge, but I can't say his design was perfect. Certainly 20s, certainly well-constructed and thought out, but still not a wow. But no one was a wow, so the best of the okay sometimes takes the cake.
Uli (winner of face off): I had mixed feelings about Uli's dress. There was nothing offensive, but nothing eye-catching either. I didn't understand the shoulder wrap, but her dress moved beautifully and was well-made.
Laura Kathleen: I was absolutely shocked that LK was out. Aside from the fur vest, this was one of her best silhouettes. I loved the color and the amount and placement of the sparkle was just right. No, it was not perfect as is, and no, it wasn't the best of the challenge, and no, I don't love LK, but the design certainly wasn't go home material. Ivy and Joshua have the same problems over and over again and they keep turning up like bad pennies.
"There's No Business Like Sew Business"
This last week the designers were challenged to make a modern, sophisticated, and feminine dress for designer Elie Tehari. They also had to keep their garment at a retail price point of $500-700. (Which isn't really all that difficult if you ask me.)
The bottom two were Josh and Ivy, but the funny thing is that if Ivy had listened to her critique and swallowed her pride (like Emilio did), she would have been in the top three, because the top of the dress was pretty great. Instead she went home with her nowhere length dress that had slits that cheapened the whole look.
This also meant that Joshua had a very narrow escape. Everyone agreed that his color and base fabric choice was absolutely gorgeous, but he couldn't not add and add to it until he ruined it. The lace and exposed zipper quickly took to the look to "lady of the night," and we don't really need to go into the droopy boobs nonsense.
Uli's look was okay for me. The silhouette and execution were fantastic, but it looked a little too much like crochet, and I do not enjoy crocheted clothes. (Yes, Virginia, fabric choice is key.) I'm not exactly tired of her doing white dresses, but I would like to see her do something else, because I like Uli and want her to be in the top.
I like Emilio's color choices and silhouette. Of course, as the judges mentioned, mustard can be hard to wear, but it doesn't mean that it's unsalable. In fact, a lot of "high fashion" I see is hard to wear in some way, yet it still seems to sell.
But my wee lamb Anthony Ryan wins again! Which is okay by me. He's remarkable in his ability to create clean, sharp looks that don't all look the same, and this challenge was no exception. The neckline could use a little pattern adjustment, and I might play with the proportions of the color blocking a bit, but that's all a bit nitpicky.
23 March 2012
Project Runway All Stars: "Whose Dream Do We Buy?"
First, I loved Austin's sparkly jacket and pink socks, I loved Mondo's silver shoes, and I hated Georgina's dress. It was Big Bird-y and unflattering. Also, Angela's halting dialogue felt forced and torturous.
Now to taking care of business. Everyday. Every way.
Austin's Collection
I admit that I eliminated Austin for the win as soon as he again described his bizarre mix of inspirations...something about vampires and Hasidic dandies. In fact, I laughed out loud. On top of that his collection wasn't entirely cohesive and he had a few other problems. But like the judges said, he really did have a couple of amazing pieces, which really were his best work of the season.
I loved the simple sequin jacket, but pannier-inspired pants is one of the silhouettes that I've always hated in fashion. They seem to crop up every time a designer is inspired by Madame de Pompadour. And speaking of weird volume, his evening dress had too much in too many places, thus losing the person wearing the dress. He should have gone with volume in one place or the other. But even if he didn't have the long peplum, the fullness in the mermaid part is a little too over-the top and maybe even clownish.
I didn't much care for Austin's leatherette pieces. The peek-a-boo netting in the back of the skirt looked inelegant while the model walked. Also, did you notice that the flanges on the sleeves were unfinished and unraveling? But I actually think he would sell that jumpsuit, although no one I know would wear it.
The lacquered lace dress was the perfect combination of hard and soft. The flounce detail in the front gave some volume to the dress without adding volume to the model's figure. I really liked this one.
I absolutely loved the wedding dress. The proportions of the layers were perfect, and adding that bit of shine at the belt was genius. I could've done without the black gloves, but it was Austin's wedding, and he would look great in those gloves.
Michael's Collection
When Michael's collection first walked the runway, I thought he had a real chance at the win. But in retrospect I think he simply had the safest collection, which is reflected in the fact that I only took one note for him. There was nothing I hated, but nothing I truly loved either.
This was dress had my only note. I really liked the seaming and piecing on the bust, but it got lost in the print and you can't even see it in this picture.
Other than that I don't have anything to say about the rest of Michael's collection except that it I've seen it before, it was well-made, and he can sell it to his resort-based customer with no problem.
Mondo's Collection
I can't say I loved every piece in Mondo's collection, but his collection was definitely the best overall, and I am certainly over the moon about his win! He really deserved it. He was the most consistant throughout the season, and I think his collection was the most sellable to the widest market.
I have confused feelings about Mondo's finale dress. I like it, but I feel like I shouldn't for some reason. I think it reminds me of the 90s somehow, and since I believe nothing good came out of fashion in the 90s (hyperbole intended), I cannot fully embrace the dress. But at the same time, I don't have a problem with it. What were your impressions?
The first two outfits might be his most sellable. I liked them both, but I could have done without the pockets on the dress.
The Rorschach print on the dress was so great, but I really, really, really wanted the model in a bra. (I'm with you Joanna!)
The top made with the fabric from other challenges was great--flattering and totally sellable. But the hem needs a different finishing technique to help it hang better.
I simply adored the wide-leg pants even though the flaps were just a wee bit too large. Side note: this outfit was worn by the model he used all season, and she always looks so stiff-armed and awkward. It's very strange.
Congratulations Mondo!
Well, we've come to the end of Project Runway: All Stars, and it looks like the next regular Project Runway series won't air for a few months. I've got a few ideas for fashion-related posts, but what I'd really like to write about are things you want to hear about. It can be anything about fashion, styling, sewing, what have you. I would be happy to research things within these topics that you want to know more about, or just share with you what I already know. So please, hit me with your wants, needs, hopes, and dreams.
Now to taking care of business. Everyday. Every way.
Austin's Collection
I admit that I eliminated Austin for the win as soon as he again described his bizarre mix of inspirations...something about vampires and Hasidic dandies. In fact, I laughed out loud. On top of that his collection wasn't entirely cohesive and he had a few other problems. But like the judges said, he really did have a couple of amazing pieces, which really were his best work of the season.
I loved the simple sequin jacket, but pannier-inspired pants is one of the silhouettes that I've always hated in fashion. They seem to crop up every time a designer is inspired by Madame de Pompadour. And speaking of weird volume, his evening dress had too much in too many places, thus losing the person wearing the dress. He should have gone with volume in one place or the other. But even if he didn't have the long peplum, the fullness in the mermaid part is a little too over-the top and maybe even clownish.
I didn't much care for Austin's leatherette pieces. The peek-a-boo netting in the back of the skirt looked inelegant while the model walked. Also, did you notice that the flanges on the sleeves were unfinished and unraveling? But I actually think he would sell that jumpsuit, although no one I know would wear it.
The lacquered lace dress was the perfect combination of hard and soft. The flounce detail in the front gave some volume to the dress without adding volume to the model's figure. I really liked this one.
I absolutely loved the wedding dress. The proportions of the layers were perfect, and adding that bit of shine at the belt was genius. I could've done without the black gloves, but it was Austin's wedding, and he would look great in those gloves.
Michael's Collection
When Michael's collection first walked the runway, I thought he had a real chance at the win. But in retrospect I think he simply had the safest collection, which is reflected in the fact that I only took one note for him. There was nothing I hated, but nothing I truly loved either.
This was dress had my only note. I really liked the seaming and piecing on the bust, but it got lost in the print and you can't even see it in this picture.
Other than that I don't have anything to say about the rest of Michael's collection except that it I've seen it before, it was well-made, and he can sell it to his resort-based customer with no problem.
Mondo's Collection
I can't say I loved every piece in Mondo's collection, but his collection was definitely the best overall, and I am certainly over the moon about his win! He really deserved it. He was the most consistant throughout the season, and I think his collection was the most sellable to the widest market.
I have confused feelings about Mondo's finale dress. I like it, but I feel like I shouldn't for some reason. I think it reminds me of the 90s somehow, and since I believe nothing good came out of fashion in the 90s (hyperbole intended), I cannot fully embrace the dress. But at the same time, I don't have a problem with it. What were your impressions?
The first two outfits might be his most sellable. I liked them both, but I could have done without the pockets on the dress.
The Rorschach print on the dress was so great, but I really, really, really wanted the model in a bra. (I'm with you Joanna!)
The top made with the fabric from other challenges was great--flattering and totally sellable. But the hem needs a different finishing technique to help it hang better.
I simply adored the wide-leg pants even though the flaps were just a wee bit too large. Side note: this outfit was worn by the model he used all season, and she always looks so stiff-armed and awkward. It's very strange.
Congratulations Mondo!
Well, we've come to the end of Project Runway: All Stars, and it looks like the next regular Project Runway series won't air for a few months. I've got a few ideas for fashion-related posts, but what I'd really like to write about are things you want to hear about. It can be anything about fashion, styling, sewing, what have you. I would be happy to research things within these topics that you want to know more about, or just share with you what I already know. So please, hit me with your wants, needs, hopes, and dreams.
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